{"id":15387,"date":"2020-08-10T08:16:07","date_gmt":"2020-08-10T06:16:07","guid":{"rendered":"http:\/\/www.egotimes.com\/?p=15387"},"modified":"2020-08-10T18:11:22","modified_gmt":"2020-08-10T16:11:22","slug":"la-serva-padrona-di-pergolesi-sotto-al-duomo-di-siena","status":"publish","type":"post","link":"https:\/\/www.egotimes.com\/it\/la-serva-padrona-di-pergolesi-sotto-al-duomo-di-siena\/","title":{"rendered":"La serva padrona di Pergolesi sotto al Duomo di Siena: la Chigiana Opera Lab presenta l&#8217;opera buffa"},"content":{"rendered":"<h2><\/h2>\n<h2><em>La serva padrona<\/em>, opera buffa di Giovan Battista Pergolesi, \u00e8 andata in scena il 6 agosto in due turni: uno alle 21 e uno alle 22,30 fra le architetture gotico-romaniche della Cattedrale di Siena in Piazza Jacopo della Quercia per Chigiana Opera Lab.<\/h2>\n<p>Interpreti sono stati\u00a0gli allievi del corso di canto il cui docente \u00e9 William Matteuzzi, gli allievi del Corso di Direzione d\u2019orchestra, i cui docenti sono Daniele Gatti e Luciano Acocella, con Angelo Michele Erico al clavicembalo e l&#8217;<a href=\"https:\/\/www.scuolamusicafiesole.it\/it\/ogi\" target=\"_blank\" rel=\"noopener noreferrer\">OGI<\/a>, l&#8217;Orchestra Giovanile Italiana.<\/p>\n<p>Nel cuore della <a href=\"https:\/\/www.egotimes.com\/it\/con-disperate-ali-alla-chiesa-di-santagostino-in-siena\/\" target=\"_blank\" rel=\"noopener noreferrer\">citt\u00e0<\/a> le note di Pergolesi si sono intercalate con un intermezzo mozartiano, che ha arricchito di suggestioni la serata.<\/p>\n<h6>Al primo turno si sono alternati <em>Serpina<\/em> interpretata da:<\/h6>\n<p>Faustine De Mon\u00e8s soprano, Uberto Carmine Giordano basso, Vespone Alessio Fortune Ejiugwo personaggio muto, Diego Ceretta direttore<\/p>\n<h6>Per l\u2019intermezzo musicale:<\/h6>\n<p>pezzi di Wolfgang Amadeus Mozart: <em>Eine kleine Nachtmusik<\/em> K 525 Allegro Romanza. Andante Menuetto. Allegro Rond\u00f2. Allegro;\u00a0Carlo Benedetto Cimento direttore, Diego Ceretta direttore<\/p>\n<h6>Per il secondo turno si sono invece alternati:<\/h6>\n<p>nel ruolo di <em>Serpina<\/em> Fiorenza Mercatali soprano, Uberto Gianandrea Navacchia basso, Vespone Paolo Mascari personaggio muto, Bernat Gerard Quetglas Torello, direttore<\/p>\n<h6>Per l\u2019Inter mezzo di Wolfgang Amadeus Mozart:<\/h6>\n<p>Divertimento per archi n. 2 in si bem. magg. K 137 Andante, Allegro di molto, Allegro assai;\u00a0\u00a0Divertimento per archi n. 3 in fa magg. K 138 Allegro;\u00a0Andante, Presto;\u00a0Marco Crispo, direttore, Gerard Quetglas Torello, direttore<\/p>\n<p>Come scritto sul programma delle serata, <em>La serva padrona<\/em>, una delle opere pi\u00f9 eseguite del\u00a0Settecento musicale, inaugura un nuovo genere di successo all&#8217;epoca, fino alla fine dell\u2019Ottocento grazie a\u00a0numerosi autori, tra\u00a0i quali Gioachino Rossini, che porter\u00e0 l&#8217;opera buffa alla massima espansione. Pergolesi diventa il centro della diatriba sollevata da un pamphlet, la <em>Querelle des Buffons<\/em>, che difendeva a spada tratta la tradizionale opera francese dalla caduta di stile e cultura, incarnata dall\u2019opera buffa italiana, sostenuta per\u00f2 da molti intellettuali di rilievo tra cui Jean-Jacques Rousseau, esponente del partito pi\u00f9 progressista.<\/p>\n<p><em>La serva padrona<\/em>, definita un capolavoro di semplicit\u00e0, si sviluppa con la richiesta di un \u201ccioccolatte\u201d di un padrone alla sua serva, che si rifiuta di accontentarlo. Da qui si sviluppa tutta l\u2019opera, che sconvolge la vita musicale dei lavori settecenteschi: segna il passaggio al Classicismo dal Barocco, creando scompiglio nella Francia della <em>trag\u00e9die lyrique<\/em>.<\/p>\n<p><em>La<\/em> <em>serva padrona<\/em> rappresenta un\u2019opera emblematica per il momento storico che stiamo vivendo. Fu infatti composta da Pergolesi nel 1733, in una Napoli attanagliata dalla peste, alle prese con difficolt\u00e0 e limitazioni logistiche, di organico e di maestranze.<\/p>\n<p>&#8211; <em>Paola Dei<\/em><\/p>\n<p>___________________________________________________________________________________________________<\/p>\n<p>Feature Image:\u00a0Ritratto di\u00a0Ekaterina Ivanovna Nelidova eseguito da Dmitrij Grigoryevi\u010d Levitskij nel 1773.<\/p>\n<div style=\"width: 800px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-15387-1\" width=\"800\" height=\"453\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/www.egotimes.com\/wp-content\/uploads\/2020\/08\/1081fd1b-77ba-43a1-b7b1-8f1f4b399df7.mp4?_=1\" \/><a href=\"https:\/\/www.egotimes.com\/wp-content\/uploads\/2020\/08\/1081fd1b-77ba-43a1-b7b1-8f1f4b399df7.mp4\">https:\/\/www.egotimes.com\/wp-content\/uploads\/2020\/08\/1081fd1b-77ba-43a1-b7b1-8f1f4b399df7.mp4<\/a><\/video><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La serva padrona, opera buffa di Giovan Battista Pergolesi, \u00e8 andata in scena il 6 agosto in due turni: uno<\/p>\n","protected":false},"author":79,"featured_media":15410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[18],"tags":[1526,1691,1692,1693,1694,389],"class_list":["post-15387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-accademia-chigiana","tag-la-serva-padrona","tag-opera","tag-opera-buffa","tag-pergolesi","tag-siena"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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