{"id":4849,"date":"2017-05-29T00:03:37","date_gmt":"2017-05-28T22:03:37","guid":{"rendered":"http:\/\/www.egotimes.com\/?p=4849"},"modified":"2017-05-30T18:03:56","modified_gmt":"2017-05-30T16:03:56","slug":"the-children-leave-at-dawn-di-manon-coubia","status":"publish","type":"post","link":"https:\/\/www.egotimes.com\/it\/the-children-leave-at-dawn-di-manon-coubia\/","title":{"rendered":"Children leave at Dawn di Manon Coubia: l&#8217;addio di una madre al figlio"},"content":{"rendered":"<h2><em>Children leave at Dawn<\/em>, il documentario della giovane regista Manon Coubia, \u00e8 stato presentato alla <em>Semaine de la Critique<\/em> della 56esima edizione del\u00a0Festival di Cannes.<\/h2>\n<p>Nazione: Francia<br \/>\nAnno: 2017<br \/>\nDurata: 23&#8242;<\/p>\n<p>Regia e Sceneggiatura: Manon Coubia<\/p>\n<p>Interpreti: Aur\u00e9lia Petit, Yoann Zimmer ed Emmanuelle Gilles-Rousseau<\/p>\n<p>Produttore esecutivo: Emmanuelle Latourrette<br \/>\nDirettore della fotografia: Aur\u00e9lien Py<br \/>\nManager di produzione: Andrea Forssell<br \/>\nSound editor: Aline Huber<br \/>\nDesigner di produzione: Charlotte Martin-Favier<\/p>\n<p>Sound Recordist: Vincent Nouaille<br \/>\nEditor: Thomas Marchand<br \/>\nContinuity supervisor: Rita Santin<br \/>\nMake-up Artist: Ma\u00ebla Gervais<\/p>\n<p>Titolo originale: Les enfants partent \u00e0 l&#8217;aube<\/p>\n<p><span class=\"copycode\"><figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_39243\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_l9wjKEVjmw?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&disablekb=0&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/figure><\/span><\/p>\n<p>Un ragazzo, Mo, entra negli <a href=\"https:\/\/en.wikipedia.org\/wiki\/Chasseur\">chasseurs<\/a> alpini, truppe d&#8217;elit\u00e8 dell&#8217;esercito francese.<\/p>\n<p>Durante la manifestazione\u00a0le reclute\u00a0cantano &#8216;they killed, beloved father&#8217; con aria piuttosto spensierata, come dovrebbe essere l&#8217;atmosfera del viaggio in macchina con la madre Macha, ma non lo \u00e8. La ripresa \u00e8 una lunghissima serie di primissimi piani di madre e figlio con aura caravaggesca. Giusto un p\u00f2 di luce in faccia al posto delle lacrime che si riverbera dalla neve tutta attorno. Del viaggio si riprende solo la strada, cos\u00ec, sino alla fine quando \u00e8 interrotto dall&#8217;incidente probabilmente mortale di un ragazzo caduto dalla seggiovia.<\/p>\n<p>Tutto fa presagire al peggio, tranne il bellissimo volto del protagonista, <strong>Yoann Zimmer<\/strong>.<\/p>\n<p>Il corto si tinge di ridicolo quando la madre dice al figlio, che sta per entrare nell&#8217;esercito, che non deve fumare dinnanzi a lei, dopo avergli tolto la sigaretta accesa dalla bocca.<\/p>\n<p>A parte la scelta dei primissimi piani di una donna con gli occhi azzurri, Macha, che \u00e8 l&#8217;attrice <strong>Aur\u00e8lia Petit<\/strong>, come a dire che son colmi di lacrime e brulicano di speranza e di amore per il futuro del figlio, il corto \u00e8 piuttosto noioso per la fotografia grigia e piatta e per il testo, che non riflette alcuna voglia di sopravvivere alla morte, n\u00e9 la bramosia del creare da parte dell&#8217;autrice medesimo.<\/p>\n<p>Nella storia della rappresentazione del mondo la guerra e ci\u00f2 che ne comporta sono tra le cose pi\u00f9 eccitanti e drammatiche mai scritte. Al di l\u00e0 dei moralismi e dell&#8217;etica, per quanto riguarda la pittura, la fotografia e il cinema, l&#8217;uomo calato in una dimensione del conflitto ha dato di s\u00e8 sempre un&#8217;immagine che fa parlare.<\/p>\n<p>Questo film potrebbe sembrare un sogno, dove si vedono dei dettagli del moto senza qualcosa di ben definito, ma allora risulta pi\u00f9 interessante dormire e sognare dal vivo.<\/p>\n<p>Anzi, il sogno della coscienza genera mostri che risultano molto pi\u00f9 affascinanti e seduttivi di un corto che ammicca come una gatta morta alla ricerca dell&#8217;uomo.<\/p>\n<p><em><strong>La Semaine de la Critique<\/strong><\/em> di Cannes \u00e8 anche sospensione della critica, forse.<\/p>\n<p>Eppure il cinema non \u00e8 mai questo. Anche il cinema pi\u00f9 delicato e apparentemente immobile, dove gli oggetti son ripresi sempre allo stesso modo, vedi un Ozu, sono pi\u00f9 commoventi di un ragazzo che non pu\u00f2 fumare dinnanzi alla madre e poi forse muore perch\u00e8 \u00e8 entrato nell&#8217;esercito.<\/p>\n<p>Allora, i grandi moralizzatori diranno che non tutto pu\u00f2 piacere e confonderanno estetica ed etica come quando vanno a votare.<\/p>\n<p>Allora, si concentrassero tutti sul voto di un politico che\u00a0possa cambiare\u00a0il reale, piuttosto che su un film che non smuove neanche alla pi\u00f9 tecnocratica partecipazione della visione dell&#8217;audiovisivo.<\/p>\n<p>&#8211; <em>Veronica Pacifico<\/em><\/p>\n<p><span class=\"copycode\"><figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_87019\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/c2WW56Xx-58?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&disablekb=0&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/figure><\/span><\/p>\n<p>Video YouTube ufficiali del canale\u00a0<em>Semaine de la Critique<\/em> del Festival di Cannes<\/p>\n<p>Foto di copertina per gentile concessione del Festival di Cannes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Children leave at Dawn, il documentario della giovane regista Manon Coubia, \u00e8 stato presentato alla Semaine de la Critique della<\/p>\n","protected":false},"author":6,"featured_media":4996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[18],"tags":[829,832,828,722,40],"class_list":["post-4849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cannes","tag-documentario","tag-esercito","tag-festival","tag-viaggio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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