{"id":4860,"date":"2017-05-30T17:22:11","date_gmt":"2017-05-30T15:22:11","guid":{"rendered":"http:\/\/www.egotimes.com\/?p=4860"},"modified":"2017-05-30T17:27:29","modified_gmt":"2017-05-30T15:27:29","slug":"ela-sketches-on-a-departure-di-oliver-adam-kusio","status":"publish","type":"post","link":"https:\/\/www.egotimes.com\/it\/ela-sketches-on-a-departure-di-oliver-adam-kusio\/","title":{"rendered":"Ela: Sketches on a Departure di Oliver Adam Kusio"},"content":{"rendered":"<h2><em>Ela: Sketches on a Departure<\/em>, il corto del giovane regista tedesco Oliver Adam Kusio, \u00e8 stato presentato alla <em>Semaine de la Critique<\/em> della 56esima edizione del\u00a0Festival di Cannes.<\/h2>\n<p>Paese: Germania 2017<\/p>\n<p>Genere: Cortometraggio<\/p>\n<p>Durata: 26&#8242;<\/p>\n<p>Regia: Oliver Adam Kusio<\/p>\n<p class=\"cast\">Interpreti: Karolina Romuk-Wodoracka, Bartosz Sak, Karolina Porcari, Mikolaj Trzbinski, Bj\u00f6rn Heienbrock<\/p>\n<p class=\"cast\">Titolo originale: Ela: Szkice na Po\u017cegnanie<\/p>\n<p class=\"cast\"><span class=\"copycode\"><figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_68671\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ntJSE9ay9G8?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/figure><\/span><\/p>\n<p class=\"cast\">Il film di <a href=\"http:\/\/www.imdb.com\/name\/nm5254843\/\">Kusio<\/a> \u00e8 una piccola perla. La storia \u00e8 quella di Ela (<strong>Karolina Romuk-Wodoracka<\/strong>),\u00a0una donna che sogna una vita piena di significati e di bellezza, di qualcosa di pi\u00f9 e che per questo, vuole intraprendere un viaggio a Ovest, abbandonando chi la ama e che far\u00e0 di tutto per farle cambiare idea.<\/p>\n<p class=\"cast\">Probabilmente\u00a0l&#8217;Occidente che la ragazza sogna \u00e8 gi\u00e0 tra le sue mani e davanti a i suoi occhi, ma Ela non si accontenta e vuole scendere dalla barca di legno con cui viaggia con il suo amore.<\/p>\n<p class=\"cast\">Il suo fidanzato\u00a0ha un motorino che \u00e8 parcheggiato dal meccanico. Questi lo prova e lo accende, parte ma non va da nessuna parte.<\/p>\n<p class=\"cast\">Il film ricorda la poetica dei fratelli <a href=\"http:\/\/www.mymovies.it\/filmografia\/?r=8633\">Dardenne<\/a> per le immagini e la fotografia, mentre \u00e8 una citazione di\u00a0<a href=\"http:\/\/www.mymovies.it\/filmografia\/?r=395\">Loach<\/a> per quanto riguarda la continua ricerca dell&#8217;uomo dei propri diritti in un mondo migliore.<\/p>\n<p class=\"cast\">Allora ci si chiede. Dove risiede l&#8217;autorialit\u00e0 di un lavoro del genere?<\/p>\n<p class=\"cast\">Ebbene, nel lungo abbraccio della protagonista con il fratello sul divano. Per circa un paio di minuti non accade nulla e la telecamera \u00e8 fissa, eppure lo sguardo non si allontana dallo schermo.<\/p>\n<p class=\"cast\">La scena \u00e8 girata a mano, un\u00a0po&#8217; sporca quindi, ma naturale e la sintesi tra attori e spettatori \u00e8 totale, armonica, semplice.<\/p>\n<p class=\"cast\">Si dice nel film che &#8216;una sorpresa \u00e8 meglio&#8217; di qualunque altra cosa il reale ci proponga, ma forse \u00e8 proprio il momento in cui la sorpresa svanisce che\u00a0nasce la tensione e la rottura tra i personaggi.<\/p>\n<p class=\"cast\">Il ragazzo di Ela le urla che le dar\u00e0 i soldi per il suo viaggio e che, non diversamente da lei, ha paura.<\/p>\n<p class=\"cast\">I campi e i controcampi sono serrati ma non forzati e si rincorrono, come i protagonisti nel campo sterrato e selvaggio vicino alle loro case.<\/p>\n<p class=\"cast\">Si parla anche della storia d&#8217;amore di due giovani di cui non si vedr\u00e0 alcuna nudit\u00e0. Il sesso manca, c&#8217;\u00e8 per\u00f2 una scena su una giostra quasi infantile. Eppure c&#8217;\u00e8 molta pi\u00f9 passione che in altro film romantico.<\/p>\n<p class=\"cast\">La fotografia \u00e8 sommessa e delicata. Le immagini sembrano quasi quelle che ci scattiamo sui social. I fotogrammi sembrano lavorati con i filtri di Instagram\u00a0e ci\u00f2 rende la percezione della storia, un po&#8217; come quella di tutti. La familiarit\u00e0 del gioco visivo rende intimo e vivace il rapporto dello spettatore con la storia e non c&#8217;\u00e8 lacrima che tenga. Non una risata.<\/p>\n<p class=\"cast\">L&#8217;umore resta uguale come le promesse della terra futura, forse.<\/p>\n<p class=\"cast\"><strong>Oliver Adam Kusio<\/strong> ha lavorato anche per il documentario e le sue opere sono ascrivibili a una filmografia tipica degli anni Duemila. Le immagini dei suoi film sono rarefatte, eppure hanno carattere e dicono qualcosa senza disturbare.<\/p>\n<p class=\"cast\">La sua prima esperienza lavorativa \u00e8 stata come\u00a0assistente di regia in un teatro di Francoforte, dove ha potuto assorbire tutta l&#8217;ispirazione di cui aveva bisogno per poter parlare, come in questo piccolo film, dell&#8217;Occidente e delle sue contraddizioni come da un palco, cos\u00ec che lo spettatore senta i protagonisti della storia vicini, dal vivo.<\/p>\n<p class=\"cast\">Con ci\u00f2, mette in crisi &#8211; probabilmente &#8211; anche lo stato dello spettacolo, eppure dice animatamente quanto sia importante confrontarsi con i propri colleghi e ci\u00f2 lo dimostra nella citazione tenera che ha nelle sue carni sapori sottoposti all&#8217;azione dei fumi della immaginazione pi\u00f9 sincera.<\/p>\n<p class=\"cast\">&#8211; <em>Veronica Pacifico<\/em><\/p>\n<p class=\"cast\"><span class=\"copycode\"><figure class=\"wp-block-embed wp-block-embed-youtube is-type-video is-provider-youtube epyt-figure\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_44431\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/1qA4aCK0Jmw?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div><\/figure><\/span><\/p>\n<p class=\"cast\">Foto di copertina per gentile concessione del Festival di Cannes.<\/p>\n<p class=\"cast\">Video YouTube ufficiali del canale <em>Semaine de la Critique<\/em> del Festival di Cannes.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ela: Sketches on a Departure, il corto del giovane regista tedesco Oliver Adam Kusio, \u00e8 stato presentato alla Semaine de<\/p>\n","protected":false},"author":6,"featured_media":4995,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","footnotes":""},"categories":[18],"tags":[37,831,830,40],"class_list":["post-4860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cinema","tag-critica","tag-immigrazione","tag-viaggio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - 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